How your essay will be scored:
The people scoring your essay will be assigning scores for:
*Statement of purpose/focus
—how well you clearly state your claim on
the topic, maintain your focus, and address the alternate and opposing
claims
*Organization
—how well your ideas logically flow from the introduction
to conclusion using effective transitions, and how well you stay on topic
throughout the essay
*Elaboration of evidence
—how well you provide evidence from sources
about your opinions and elaborate with specific information
*Language and Vocabulary
—how well you effectively express ideas using
precise language that is appropriate for your audience and purpose
*Conventions
—how well you follow the rules
of usage, punctuation,
capitalization, and spelling
_______________________________________
Strong vs. Weak
Verbs
To help you move away
from summary and toward ANALYSIS, you need to begin to
incorporate strong
verbs into your writing
when discussing the writer’s rhetorical choices. Below is a list of verbs that
are
considered weak because
they imply summary and a list of verbs that are considered strong because they
imply analysis. Strive to use the stronger verbs in your essays to help push
yourself away from summary and toward analysis: “The writer flatters…” NOT “The
writer says…”
WEAK VERBS
(Summary)
Says/relates/goes/on/to/say/tells/this/quote/shows/explains/states/shows
STRONG VERBS
(Analysis)
Implies/trivializes/flatters/qualifies/processes/describes/suggests/denigrates/lionizes/dismisses/analyzes
questions/compares/vilifies/praises/supports/enumerates/contrasts/emphasizes/demonizes/establishes
admonishes/expounds/argues/defines/ridicules/minimizes/narrates/lists/warns
Powerful and meaningful verbs to
use in your analyses as Alternatives to “show”
Acknowledge
Address
Analyze
Apply
Argue
Assert
Augment
Broaden
Calculate
Capitalize
Characterize
Claim
Clarify
Compare
Complicate
Confine
Connect
Consider
Construct
Contradict
Correct
Create
Convince
Critique
Declare
Deduce
Defend
Demonstrate
Deny
Describe
Determine
Differentiate
Disagree
Discard
Discover
Discuss
Dismiss
Distinguish
Duplicate
Elaborate
Emphasize
Employ
Enable
Engage
Enhance
Establish
Evaluate
Exacerbate
Examine
Exclude
Exhibit
Expand
Explain
Exploit
Express
Extend
Facilitate
Feature
Forecast
Formulate
Fracture
Generalize
Group
Guide
Hamper
Hypothesize
Identify
Illuminate
Illustrate
Impair
Implement
Implicate
Imply
Improve
Include
Incorporate
Indicate
Induce
Initiate
Inquire
Instigate
Integrate
Interpret
Intervene
Invert
Isolate
Justify
Locate
Loosen
Maintain
Manifest
Manipulate
Measure
Merge
Minimize
Modify
Monitor
Necessitate
Negate
Nullify
Obscure
Observe
Obtain
Offer
Omit
Optimize
Organize
Outline
Overstate
Persist
Point out
Possess
Predict
Present
Probe
Produce
Promote
Propose
Prove
Provide
Qualify
Quantify
Question
Realize
Recommend
Reconstruct
Redefine
Reduce
Refer
Reference
Refine
Reflect
Refute
Regard
Reject
Relate
Rely
Remove
Repair
Report
Represent
Resolve
Retrieve
Reveal
Revise
Separate
Shape
Signify
Simulate
Solve
Specify
Structure
Suggest
Summarize
Support
Suspend
Sustain
Tailor
Terminate
Testify
Theorize
Translate
Undermine
Understand
Unify
Utilize
Validate
Vary
View
Vindicate
Analyzing DICTION
Diction is simply the words the writer chooses to
convey a particular meaning.
When analyzing diction,
look for specific
words or
short phrases that seem stronger than the others (ex. Bragg’s use of slingshot instead of travel). Diction is NEVER the
entire sentence! Also, look for a pattern (or similarity) in the
words the writer chooses (ex. Do the words imply sadness, happiness, etc?).
This pattern helps to create a particular kind of diction.
This pattern can also
include repetition
of the
same words or phrases. Repeating the same word or phrase helps the reader
emphasize a point, feeling, etc.
Effective diction is
shaped by words that are clear, concrete, and exact. Good writers avoid words
like pretty, nice, and bad because they are not
specific enough. Instead, they rely on words that invoke a specific effect in
order to bring the reader into the event being described.
Examples:
A coat isn’t torn; it is tattered.
The US Army does not want revenge; it is thirsting for revenge.
A door does not shut; it thuds.
Diction depends on subject, purpose, occasion, and audience.
The subject often determines how
specific or sophisticated the diction needs to be. For example, articles on
computers are filled with a specialized language: e-mail, e-shopping, web,
interface.
Many topics generate
special vocabularies to convey meaning. The writer’s purpose – whether to persuade,
entertain, inform – partly determines diction. Words chosen to impart a
particular effect on the reader reflect the writer’s purpose. For example, if
an author’s purpose is to inform, the reader should expect straightforward
diction. On the other hand, if the author’s purpose is to entertain, the
readers will likely encounter words used in ironic, playful, or unexpected
ways.
Diction also depends on occasion. Formal diction is
reserved for scholarly writing and serious texts. Informal diction is often
used in narrative essays and newspaper editorials.
Colloquial diction and
slang are typically used to capture the language of a particular time frame
or culture.
Finally, the type of
diction a writer uses depends on the audience (readers, listeners). An
author
who uses sophisticated
diction knows he is writing for an intelligent audience. An author who
uses more informal
diction knows he is writing for an audience of varied intelligence.
When you are writing an essay
in which
you are analyzing the diction of the writer:
Avoid saying: “The
writer used diction…”
– since this is obvious (diction IS the words on the page; without them, the
page would be blank).
Instead, say: “The
writer creates______________ diction through the use of…” OR “The
language of the text is
___________________.”
Below are just a few words that you may
use to describe the
type of diction used by
the writer.
You may want to add words to this list or
circle the ones you use frequently.
abstract literal
academic loaded
ambiguous
lyrical
biting melodious
bombastic monosyllabic
brusque nostalgic
cacophonous obscene
casual obscure
caustic offensive
concrete ordinary
colloquial ornate
colorful passionate
common patriotic
connotative pedantic
cultured picturesque
crisp plain
curt poetic
denotative political
detached polysyllabic
divisive precise
emotional pretention
esoteric provincial
euphemistic romantic
euphonious scholarly
everyday sentimental
exact shocking
fanciful sincere
flowery slang
figurative subdued
folksy symbolic
formal tame
grandiose technical
idiomatic trite
inflammatory unifying
inflated uppity
informal vague
insincere vulgar
Analyzing SYNTAX
Syntax refers to the way words are arranged
within sentences.
Schemes
One aspect of syntax is schemes. Most English sentences follow a
subject-verb-object pattern
(ex. I went to the store.) Deviating from
this pattern can serve to add emphasize to the author’s
ideas. [See the scheme section of your Style handout for
different ways authors can change the pattern of their sentences.]
Sentence Length
Another aspect of syntax is sentence length. Good writers will use a variety for
emphasis.
· Short
sentences – imply
straightforward
· Long
sentences – imply
descriptive, detailed
Sentence Type
A third aspect of syntax is sentence
type. Again, good writers use a variety.
· Simple: subject-verb (I went to the store.)
· Compound: 2 independent clauses joined by a
conjunction (I went to the store, and I bought candy.)
· Complex: independent clause and dependent clause
(While traveling to the store, I saw my friend.)
· Compound-complex: 2 independent clauses and one or more
dependent clauses (While traveling to the store, I saw my friend, and she gave
me money for candy.)
· Declarative: statement (I went to the store.)
· Exclamatory: strong feeling (What a wonderful candy
store!)
· Interrogative: question (Is this a store?)
· Imperative: command (Go to the store.)
Punctuation
A final aspect of syntax is punctuation.
Yes, good writers use a variety here too.
· Semicolon(;) gives equal weight to two or more
independent clauses in a sentence.
Writers use this to reinforce parallel
ideas and show how both ideas are equally important
· Colon(:) directs the reader’s attention to the
words that follow. Writers use this to show
the reader that the information after the
colon is important.
· Dash
(-) marks a sudden
change in thought or tone or sets off a brief summa
Analyzing TONE
Tone is the writer’s attitude or feeling about
the subject of his text.
It is a special kind of rhetorical
strategy because tone
is created by the writer’s use of all of the other rhetorical strategies.
· Diction
& Tropes
· Syntax
& Schemes
· Details
& Lack of Details
When discussing an author’s tone, you
must be careful to choose
the right word. Below is
a
small list of tone words (there are
hundreds). Use them in your essays to describe the tone of the piece but only
if you are sure you know the word’s meaning (not sure – look it up in a dictionary).
When writing your essay, avoid saying: “The writer uses tone” since ALL writers use a tone of some kind.
Instead, say: “The writer creates a __________ tone…”
Angry sad sentimental cloying bitter
Sharp cold fanciful dramatic audacious
Upset urgent complimentary provocative
benevolent
Silly joking condescending didactic tired
Boring poignant sympathetic proud
frivolous
Afraid detached contemptuous giddy
irreverent
Happy confused apologetic pitiful
seductive
Hollow childish humorous restrained sweet
Joyful peaceful horrific somber objective
Allusive mocking sarcastic candid
nostalgic
Vexed vibrant zealous dreamy shocking
Sarcastic patriotic serious mocking
satiric
Motivational
tactful respectful humorous
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