Wednesday, January 1, 2014

Writing: The SBAC Performance Task

How your essay will be scored:
The people scoring your essay will be assigning scores for:
*Statement of purpose/focus
—how well you clearly state your claim on
the topic, maintain your focus, and address the alternate and opposing
claims 
*Organization
—how well your ideas logically flow from the introduction
to conclusion using effective transitions, and how well you stay on topic
throughout the essay 
*Elaboration of evidence
—how well you provide evidence from sources
about your opinions and elaborate with specific information 
*Language and Vocabulary
—how well you effectively express ideas using
precise language that is appropriate for your audience and purpose
*Conventions
—how well you follow the rules
of usage, punctuation,
capitalization, and spelling 
 _______________________________________
 
Strong vs. Weak Verbs
To help you move away from summary and toward ANALYSIS, you need to begin to incorporate strong
verbs into your writing when discussing the writer’s rhetorical choices. Below is a list of verbs that are
considered weak because they imply summary and a list of verbs that are considered strong because they imply analysis. Strive to use the stronger verbs in your essays to help push yourself away from summary and toward analysis: “The writer flatters…” NOT “The writer says…”

WEAK VERBS (Summary)
Says/relates/goes/on/to/say/tells/this/quote/shows/explains/states/shows

STRONG VERBS (Analysis)
Implies/trivializes/flatters/qualifies/processes/describes/suggests/denigrates/lionizes/dismisses/analyzes questions/compares/vilifies/praises/supports/enumerates/contrasts/emphasizes/demonizes/establishes admonishes/expounds/argues/defines/ridicules/minimizes/narrates/lists/warns

Powerful and meaningful verbs to use in your analyses as Alternatives to “show”


Acknowledge
Address
Analyze
Apply
Argue
Assert
Augment
Broaden
Calculate
Capitalize
Characterize
Claim
Clarify
Compare
Complicate
Confine
Connect
Consider
Construct
Contradict
Correct
Create
Convince
Critique
Declare
Deduce
Defend
Demonstrate
Deny
Describe
Determine
Differentiate
Disagree
Discard
Discover
Discuss
Dismiss
Distinguish
Duplicate
Elaborate
Emphasize
Employ
Enable
Engage
Enhance
Establish
Evaluate
Exacerbate
Examine
Exclude
Exhibit
Expand
Explain
Exploit
Express
Extend
Facilitate
Feature
Forecast
Formulate
Fracture
Generalize
Group
Guide
Hamper
Hypothesize
Identify
Illuminate
Illustrate
Impair
Implement
Implicate
Imply
Improve
Include
Incorporate
Indicate
Induce
Initiate
Inquire
Instigate
Integrate
Interpret
Intervene
Invert
Isolate
Justify
Locate
Loosen
Maintain
Manifest
Manipulate
Measure
Merge
Minimize
Modify
Monitor
Necessitate
Negate
Nullify
Obscure
Observe
Obtain
Offer
Omit
Optimize
Organize
Outline
Overstate
Persist
Point out
Possess
Predict
Present
Probe
Produce
Promote
Propose
Prove
Provide
Qualify
Quantify
Question
Realize
Recommend
Reconstruct
Redefine
Reduce
Refer
Reference
Refine
Reflect
Refute
Regard
Reject
Relate
Rely
Remove
Repair
Report
Represent
Resolve
Retrieve
Reveal
Revise
Separate
Shape
Signify
Simulate
Solve
Specify
Structure
Suggest
Summarize
Support
Suspend
Sustain
Tailor
Terminate
Testify
Theorize
Translate
Undermine
Understand
Unify
Utilize
Validate
Vary
View
Vindicate
Yield


Analyzing DICTION

Diction is simply the words the writer chooses to convey a particular meaning.
When analyzing diction, look for specific words or short phrases that seem stronger than the others (ex. Bragg’s use of slingshot instead of travel). Diction is NEVER the entire sentence! Also, look for a pattern (or similarity) in the words the writer chooses (ex. Do the words imply sadness, happiness, etc?). This pattern helps to create a particular kind of diction.

This pattern can also include repetition of the same words or phrases. Repeating the same word or phrase helps the reader emphasize a point, feeling, etc.

Effective diction is shaped by words that are clear, concrete, and exact. Good writers avoid words like pretty, nice, and bad because they are not specific enough. Instead, they rely on words that invoke a specific effect in order to bring the reader into the event being described.

Examples:
A coat isn’t torn; it is tattered.
The US Army does not want revenge; it is thirsting for revenge.
A door does not shut; it thuds.

Diction depends on subject, purpose, occasion, and audience.
The subject often determines how specific or sophisticated the diction needs to be. For example, articles on computers are filled with a specialized language: e-mail, e-shopping, web, interface.

Many topics generate special vocabularies to convey meaning. The writer’s purpose – whether to persuade, entertain, inform – partly determines diction. Words chosen to impart a particular effect on the reader reflect the writer’s purpose. For example, if an author’s purpose is to inform, the reader should expect straightforward diction. On the other hand, if the author’s purpose is to entertain, the readers will likely encounter words used in ironic, playful, or unexpected ways.
Diction also depends on occasion. Formal diction is reserved for scholarly writing and serious texts. Informal diction is often used in narrative essays and newspaper editorials.
Colloquial diction and slang are typically used to capture the language of a particular time frame
or culture.
Finally, the type of diction a writer uses depends on the audience (readers, listeners). An author
who uses sophisticated diction knows he is writing for an intelligent audience. An author who
uses more informal diction knows he is writing for an audience of varied intelligence.
When you are writing an essay in which you are analyzing the diction of the writer:

Avoid saying: “The writer used diction…” – since this is obvious (diction IS the words on the page; without them, the page would be blank).

Instead, say: “The writer creates______________ diction through the use of…” OR “The
language of the text is ___________________.”

Below are just a few words that you may use to describe the type of diction used by the writer.

You may want to add words to this list or circle the ones you use frequently.


abstract                                       literal                      
academic                                    loaded
ambiguous                                  lyrical
biting                                           melodious
bombastic                                    monosyllabic
brusque                                      nostalgic
cacophonous                              obscene
casual                                         obscure
caustic                                        offensive
concrete                                      ordinary
colloquial                                     ornate
colorful                                         passionate
common                                       patriotic
connotative                                   pedantic
cultured                                       picturesque
crisp                                             plain
curt                                               poetic
denotative                                    political
detached                                      polysyllabic
divisive                                         precise
emotional                                     pretention
esoteric                                        provincial
euphemistic                                 romantic
euphonious                                  scholarly
everyday                                      sentimental
exact                                            shocking
fanciful                                         sincere
flowery                                         slang
figurative                                      subdued
folksy                                            symbolic
formal                                            tame
grandiose                                      technical
idiomatic                                        trite
inflammatory                                  unifying
inflated                                           uppity
informal                                          vague
insincere                                         vulgar
jargon                                             learned




Analyzing SYNTAX
Syntax refers to the way words are arranged within sentences.

Schemes
One aspect of syntax is schemes. Most English sentences follow a subject-verb-object pattern
(ex. I went to the store.) Deviating from this pattern can serve to add emphasize to the author’s
ideas. [See the scheme section of your Style handout for different ways authors can change the pattern of their sentences.]

Sentence Length
Another aspect of syntax is sentence length. Good writers will use a variety for emphasis.
· Short sentences – imply straightforward
· Long sentences – imply descriptive, detailed

Sentence Type
A third aspect of syntax is sentence type. Again, good writers use a variety.
· Simple: subject-verb (I went to the store.)
· Compound: 2 independent clauses joined by a conjunction (I went to the store, and I bought candy.)
· Complex: independent clause and dependent clause (While traveling to the store, I saw my friend.)
· Compound-complex: 2 independent clauses and one or more dependent clauses (While traveling to the store, I saw my friend, and she gave me money for candy.)
· Declarative: statement (I went to the store.)
· Exclamatory: strong feeling (What a wonderful candy store!)
· Interrogative: question (Is this a store?)
· Imperative: command (Go to the store.)

Punctuation
A final aspect of syntax is punctuation. Yes, good writers use a variety here too.
· Semicolon(;) gives equal weight to two or more independent clauses in a sentence.
Writers use this to reinforce parallel ideas and show how both ideas are equally important
· Colon(:) directs the reader’s attention to the words that follow. Writers use this to show
the reader that the information after the colon is important.
· Dash (-) marks a sudden change in thought or tone or sets off a brief summa


Analyzing TONE
Tone is the writer’s attitude or feeling about the subject of his text.
It is a special kind of rhetorical strategy because tone is created by the writer’s use of all of the other rhetorical strategies.
· Diction & Tropes
· Syntax & Schemes
· Details & Lack of Details
When discussing an author’s tone, you must be careful to choose the right word. Below is a
small list of tone words (there are hundreds). Use them in your essays to describe the tone of the piece but only if you are sure you know the word’s meaning (not sure – look it up in a dictionary).


When writing your essay, avoid saying: “The writer uses tone” since ALL writers use a tone of some kind. Instead, say: “The writer creates a __________ tone…”

Angry sad sentimental cloying bitter
Sharp cold fanciful dramatic audacious
Upset urgent complimentary provocative benevolent
Silly joking condescending didactic tired
Boring poignant sympathetic proud frivolous
Afraid detached contemptuous giddy irreverent
Happy confused apologetic pitiful seductive
Hollow childish humorous restrained sweet
Joyful peaceful horrific somber objective
Allusive mocking sarcastic candid nostalgic
Vexed vibrant zealous dreamy shocking
Sarcastic patriotic serious mocking satiric
Motivational tactful respectful humorous

No comments:

Post a Comment